| April 23 | |||||
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| evan oakley | |||||
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| SESTINA OF THE MOON | |||||
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| Winds move huge dirigibles away. All midnight opens. Sandbox spoons, wind-chimes, lost dimes detonate. Softly, they go. Softly, the sprinklers in the neighbor's roses wheel in the direction of the abyss. Now, the bed lamps are waking. All the old people at this hour waking, feeling their exile. They shut blinds, softly, as a drunken veteran drags himself away, dimes and nickles spilling out his unbuttoned pants, roses tattooed on his ass: he was trying to piss into the abyss from his wheelchair at midnight. Now, in silent fire birches shine, the midnight streets empty, sidewalks waking; there the borrowed light of roses; there the tree-house nails glint like dimes; all the silver playground slides against the sky's abyss gleam like waterfalls in dreams. Softly, a siren in the distance sifts the air and softly fades. In a window, silhouetted by the night- light, a mother lifts her infant up in supplication. Waking, the child grasps her hair; they disappear. The abyss still there, dangling stars like tarnished dimes above the roof. Now, the roses hang their defeated heads; a rose is only what the light says it is. While cats, amid night's onslaught, slip by, thin with lust, their waking eyes feral and astral, hovering above the dime- drop radiator spills, which sweet poison they lick. Softly, they creep, and die, unwitting, in some alley abyss beneath a garage. O hour of onslaught, abyss near, moon strafing the skirts of sleep. O midnight, barrage swelling turquoise kiddy-pools, roses calicified, windows kindled, the disturbed waking. All the hurt ones rising wearily, softly stepping into slippers. Gathering dimes to pay newsboys coming with the dawn. O hour when nothing remains: birdsong, midnight's soft abyss become a pinkish sky, dimes taken, envelope in the roses, still scroll of the news flung down. |
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| about the poem | |||||
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| "Sestina of the Moon" was created as many sestinas are, I think--a bit of play to see if anything interesting would happen. That's pretty much how I approach anything I do in forms, for I use forms just as I use other generative writing strategies and gimmicks, simply as a way to out-maneuver my dull conscious self and rote habits. Naturally, not many of my exercises in form amount to anything. That may be true of this one, also, but as it evolved, it gathered enough in the way of image and interconnection to remain compelling to me. In the end, I felt it to be more than the sum of its parts. It became something I would do something with, and so, here it is. | |||||
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| about the poet | |||||
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| Evan Oakley is a graduate of George Mason University (MFA in Creative Writing/Poetry), the University of Northern Colorado, And Colorado State University. He is Chair of English & Speech at Aims Community College in Greeley, Colorado, where he teaches literature, composition, and humanities courses. He co-directs semi-annual poetry events through the city of Loveland and Aims College, which have featured many poets of national standing, including Billy Collins, Carolyn Forche, and Yusef Komunyakaa. Oakley is a recipient of the Colorado Council on the Arts Poetry Award (1997) and the Dana Award for 2004. | |||||
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